Primary:

 

 

All Primary Sources can be found in the W. McAllister Johnson Collection at the Archives and Research Collections in the Carleton University Library

 

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Éloge des Tableaux Exposés au Louvre, le 26 Août 1773, Suivi de l'Entretien d'un Lord, avec M. l'Abbé A***. Paris, 1773.

Call No. 1773 N7485. F8 D38 1773

 

Observations sur les Ouvrages Éposés au Salon du Louvre, ou Lettre A M. Le Comtede***, 1775.

Call No. 1775 N5066. O28 1775

 

La Vérité sur Le Salon. ed. E. Dentu. Paris: Librairie de la societé des gens de lettres, 1886.

Call No. 1886 N5066 V47 1886

 

About, Edmund. Quinze Journées au Salon de Peinture et de Sculpture (Année 1883). Paris: Librairie des Bibliophiles, 1883.

Call No. 1883 N5066. A24 1883

 

Lesuire. Coup d'Oeil sur le Sallon de 1775 par un aveugle. Paris: L'imprimerie de Didot, 1775.

Call No. 1775 N5066. C68 1775

 

Olmer, Georges et Saint-Juirs. Salon de 1886. Ed. Ludovic Baschet. Paris: Librairie d'Art, 1886.

 

Robert, Jules. Album du Salon de 1840: Collections des Principaux Ouvrages Éxposés au Louvre. Ed. Challamel. Paris: Bureau de la France Littéraire, 1840.

Call No. 1840 N 5068. S22. A53.

 

Secondary:

 

 

​The Expanding World of Art 1874-1900. Volume 1: Universal Expositions and State-Sponsored Fine Arts Exhibitions. Ed. Elizabeth Gilmore Holt. New Haven and London: Yale University Press, 1988.

 

The Triumph of Art for the Public: The Emerging Role of Exhibitions and Critics. Ed. Elizabeth Gilmore Holt. New York: Anchor Books, 1979.

 

Boime, Albert. The Academy and French Painting in the Nineteenth Century. New York: Phaidon Publishers Inc., 1971.

 

Bouillon, Jean-Paul. "Introduction: 1879-1889" La Promenade du Critique Influent: Anthologie de la Critique d'Art en France 1850-1900. Ed. Jean-Paul Bouillon, Nicole Dubreuil-Blondin, et al. Paris: Hazan, 1990.

 

Duro, Paul. The Academy and the Limits of Painting in Seventeenth-Century France. Cambridge: Cambridge University Press, 1997.

 

Eisenman, Stephen F. Nineteenth Century Art: A Critical History. London: Thames & Hudson, 1994.

 

Johnson, W. McAllister. "Treasures and Trash: Art and Its Literature Through the Ages" in Treasures and Trash.  Exhibition. Thomas Fisher Rare Book Library, 23 January - 23 March, 1984.

 

Marlais, Michael. Conservative Echoes in Fin-de-Siècle Parisian Art Criticism. Pennsylvania: The Pennsylvania State University Press, 1992.

 

McIntosh, DeCourcy E. "Goupil's Ablum: Marketing Salon Painting in the Late Nineteenth Century" in Twenty-First-Century Perspectives on Nineteenth-Century Art: Essays in Honor of Gabriel P. Wesiberg. Ed. Petra ten-Doesschate Chu and Laurinda S. Dixon. Newark: University of Delaware Press, 2008.

 

Pevsner, Nikolaus. Academies of Art: Past and Present. New York: Da Capo Press, 1973.

 

Schnapper, Antoine. "The Debut of the Royal Academy of Painting and Sculpture" in The French Academy: Classicism and its Antagonists. London and Toronto: Associated University Presses, 1990.

 

White, Harrison C. and Cynthia A. White. Canvases and Careers: Institutional Change in the French Painting World. New York: John Wiley & Sons, Inc., 1965.

 

Wine, Humphrey. "The End of History? Painting in France c. 1700-1880" in Tradition & Revolution in French Art 1700-1880: Paintings & Drawings from Lille. Exhibition catalog. London: National Gallery Publications, 1993.

 

Wrigley, Richard. The Origins of French Art Criticism: From the Ancien Régime to the Restoration. Oxford: Clarendon Press, 1993.